Profile: Deon Simms

Deon at the "From This Day Forward" premiere. From left to right are, Minister of Culture, Charles Maynard, Deon Simms and head of Track Road Theatre, Matthew Kelly. (Photo courtesy of TRT)

How long have you been involved in Theatre?
I have been involved in theatre for 13 years.

What inspired you to become involved?
I was inspired after seeing a friend in a James Catalyn production.

In what capacity (ies) do you participate in Theatre?
I participate in any area that I’m needed.

Can you list the productions that you have participated in over the years?

I have participated in:

Black Crab‘s Tragedy– Actor

A Diary of Souls – Actor

Slaps – Actor/Writer (One Man Show)

The Holdup – Actor

Playtime – Actor/Writer (one of them)

The Devil on the Cross – Actor

Island Sex – Backstage, Sound

Da Market Fire – Director/Actor

Da Webshop Horror – Actor

Da Rally – Actor

Love in Two Acts – Lights & Sound

Light – Writer/Director/Sound

Woman Take TwoAssistant Director

What are some of your most memorable moments in Theatre?
Performing in Freeport to three people.

Performing in New Orleans and signing autographs afterwards.

Watching my cast give a performance that made the head of Plays and Films Control Board Cry.

Trying to keep a straight face watching Matthew Kelly, Emile Hunt and Ward Minnis do their thing in a scene that I was in with them.

Losing my voice in the middle of a play in a scene where I had to shout.

Going to the police station in my Baron Smiley costume to ask directions and get some weird looks because it wasn’t Halloween.

Writing and Directing the first play I had ever written and have such a favorable response from the people who saw it.

How do you feel about Theatre in The Bahamas? What are its weak and strong points? How active is it? How can we make it better?
I feel theatre is a gold mine!

The weak point is that there is no constant objective critical voice that says the truth about the productions that are staged. A lot of people veterans and novices alike could benefit greatly from this and since it is not there, they get this false sense of achievement for some horribly written and/or directed productions. Compounding the problem is the ego of the some of the persons that put out theatre who see honest commentary as personal attacks on them and their work and prefer to listen to the voices of the persons paying to see them who applaud them regardless of the quality of their work.

As for strong points, this country has been blessed not only with lots of people who yearn to be involved in theatre but an audience that is yearning for it. Bahamians are starving for homegrown entertainment! Theatre I feel is poised to become the foundation for a great entertainment industry.

Theatre is not as active as it can be because most thespians are on a paper chase because it is expensive to produce for little or no return. A lot of productions are paltry in quality and reflect unjustly on other productions better ilk. Therefore, it becomes a chore to get funding. If more people would support behind the scenes with discount venues, equipment rental, and marketing packages theatre could be more active.

We can make it better by work shopping our productions more- lose the egos! When you’re finished writing a draft read it, rip it apart until it’s perfect and flawless. Require and get more from actors and directors! There should be a lot more craft being honed in rehearsals instead of the mere running of lines and blocking. Include more types of art. In my TRT’s production of LIGHT we had an original soundtrack that featured the music of local hip hop artists. As a result many people who would not have usually come out to theatre came and a lot of people who heard the music were interested in purchasing the soundtrack. If we diversify our offerings we can broaden our audience.

What do you do to prepare for a part?
Learn my lines. Think about what the character would look like, what he would sound like. Take either the thing i love/hate most about the character and build him around that.

How do you prepare to direct a show? Are there any special challenges that you must overcome when directing in The Bahamas?
I prepare to direct a show by tearing apart the script and finding the dialog that will require the actors to bring their ability to the forefront during auditions. A proper looking and sounding cast is key. With that you can make any script work. The only special challenge I see that director’s have to overcome is actors that think they do not need directing. They become a poison pill and if not taken care of they can take turn your whole cast against you. Best thing is to ferret them out at the beginning and deal with them then.

What does it take to write a play?
To write a play takes a story with characters that you know and believe in that are in a situation of which you have equal knowledge and/or belief. Once you’ve written the first draft read it and make revisions. When you are done with revisions you may want to act it out. This helps you to see the dialog in action and helps you to match it to the situation. Once you have a draft that you are comfortable with then find a cast. I find it’s better to find people who look like the characters and to mold them than it is to find someone that has the mannerisms but does not resemble the character. Then rehearse the cast until they own the characters (make time) or else they will just look like people delivering lines. However, if they look the part you may be able to get away with it. Always be fair and allow your cast to have input in their performance. If they feel ownership then you can’t lose.

Any advice for those who want to get involved in Theatre in any capacity?
Find someone who is doing a show, go see it and then tell them your intentions. Be prepared to work at it and maybe even long periods of inaction and doing other things before you see the stage. Stick with it and you will get your turn. Remember though theatre needs all sort of people to make it work.

Deon Simms in an interview with Giovanni Stuart. (Photo courtesy of TRT)

Who were your mentors in Theatre?
Dr. Ian Strachan.

How do you see your future in Bahamian Theatre?
I see me as mainly a writer.

What is your favorite Bahamian play?
Da Webshop Horror.

In your years as an actor, director and writer have you seen the government support the arts in a tangible way?
Not as tangible as I would have liked. They treat theatre like a disabled stepchild. They could impact the both the youth and social climate of The Bahamas by providing more tangible support for the arts. They are more interested in things such as marches, choirs and Junkanoo than anything else.

What role, if any, should the government play in not just theatre but the arts as a whole?
The government should provide resources for the arts. They should assist with finding funding, providing venues, and equipment (sound, light, chairs etc.).
They should also approve a calendar for different forms of the arts to visit the schools so that a certain time throughout the year a few productions from
different groups would be beneficial. Have parents pay for the productions as a part of the registration for the school year. This way when that circuit is
finished and the productions have runs outside of the school they would be attended having been marketed in the schools. Further they could give incentives to people who allow their buildings to be used by artists.

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2 responses to “Profile: Deon Simms

  1. Pingback: Matthew Kelly - Lend Me a Tenor Interview

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